shiblee muneer: 2013

Saturday, 16 November 2013

Lesson 2

Graphite, Gold ink on Canvas
24x36 in
2013

Lesson1

Graphite, Gold ink on Canvas
36x24 in
2013

Tuesday, 11 June 2013

Black Romance

Graphite and Gold ink on Wasli
15x10 inches
2013

Golden words But What said ?

Graphite and Gold ink on Wasli
15x10 inches
2013

Golden Faces

Graphite and Gold ink on Wasli
15x10 inches
2013

Golden Faces

An other realistic sculpture

Enamel paint, permanent marker on aluminium sheet
48x36x6 inches
2012

Sunday, 3 March 2013

Shamsa

Graphite on canvas glazed with transparent raison

72x60 inches

2012

Conception in-between

Graphite on canvas glazed with transparent raison

48x24 inches

2012

A bite from painting

Graphite on MDF Board glazed with transparent raison

48x24 inches
2012

Thousands of stories

Graphite on canvas glazed with transparent raison
48x36 inches
2012

Artist Statement 2016

My family background in traditional miniature painting and deep interest in “distorted history” reinforce my current body of work.

Visually, I try to produce richly embellished artworks using the same formal methods of miniature painting that had been practiced in the Mughal court ateliers. However, conceptually I am interested in biased beliefs of today’s society. Through my art practice I raise questions about society’s preconceived understanding of history—what and whom we worship.

I combine elements of classical miniatures and contemporary imagery in ways that create ironic meanings. At first sight, the result is hilarious but on a deeper level, I hope to create for the viewers a sense of maneuvering through the past and present towards the future in search of truth.

Artist statement Nov,2013

According to my traditional family background and my deep interest in “unfaithful History” reinforced current body of work. Generally, deliberations are centered to produce equally high embellished art, with the help of all those formal method, which was done in Mughal atelier. However, my conceptual concerns encompass on social belief of society. I raise question through my art practices, on society’s preconceived understanding towards History whom we worship like divine orders, in our lives.

While formal concerns, of making an image, adopting the behavior, like how history makers utilized to make another history whilst having the biased approach, creating Irony through overlapping of the images taken by History of Miniature paintings, rearrangement of objects/figures and design. The appropriate elements of the historical image in such a way that glimpse in first sight a Hilarious image, but simultaneously it provokes a sense of realization towards past

Present and future.